Lawn campaigns are a big deal in Pakistan and all designers go above and beyond to come up with eye-catching ones. However, some times, the campaigns come under fire for being controversial. This year, Élan was on the receiving end of backlash and criticism for being racist because it featured an African model, which people thought was being used as a prop.

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Following social media outrage, Élan’s creative head and CEO Khadijah Shah took to social media to explain the campaign and the concept behind it.

“It’s heartening to see that we stand against racism and cultural misappropriation, but at the same time we must know what these terms mean,” wrote the designer on social media. Shah then proceeded to define the terms ‘cultural appropriation’ and ‘racism’ and explained how they do not apply to Élan’s campaign.

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Khadijah then requested everyone criticising the campaign not to disrespect their friends from Lamu by passing insensitive comments.

She also explained why donkeys were part of some of the pictures.

“As for those finding the image with the donkeys offensive; donkeys are beloved in Lamu,” wrote Khadijah. “They are taken care of and the only mode of transportation. In our country not only do we treat donkeys badly we also use it as a term to insult others.”

Read more – Khadijah Shah receives a signed ‘Thank you note’ from Kate Middleton

The designer also shared that the brand has featured both male and female models in their previous campaigns and there has never been any such criticism.

Meanwhile, model Mushk Kaleem, who featured in the campaign, said that beauty, equality, love and acceptance have no skin tones.

“This Élan’s campaign is so close to my heart and with its launch, it is extremely sad to see all the negativity that is pouring in,” wrote Mushk.

“Posing alongside me, in this stunning campaign is my beautiful friend, who I had an excellent time working with, and who I also learnt a lot from – Gabriel Fords.”

“Unfortunately, many people are speaking about how the male model is being used as a prop or an accessory. Why is that so?” she questioned.

Kaleem added, “This campaign is a celebration and a declaration of love, of equality, of acceptance, of tolerance – of cultures and heritages without any borders and boundaries.”

“Gabriel Fords, who is as much a vital part of this campaign as I am, is not a prop or an accessory. This entire shoot screams inclusivity. It is about bridging cultures, about educating people about the normalcy of an interracial love.”

“I’m very proud to be part of this campaign,” concluded the model.

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– BEAUTY HAS NO SKIN-TONE! This Elan campaign is so close to my heart and with it’s launch, it is extremely sad to see all the negativity that is pouring in. Posing alongside me, in this stunning campaign is my beautiful friend, who I had an excellent time working with, and who I also learnt a lot from- Gabriel Fords. Unfortunately, many people are speaking about how the male model is being used as a prop or an accessory. Why is that so? Because of the color of his skin? Because we haven’t yet normalised the concept of a brown-skinned desi girl with a dark-skinned man? Because we still vessel an underlying sense of racism? Because we don’t believe that all skin tones are unique, and that love knows no colours? I stood in the picturesque Lamu town, I tried my best to honour the beauty that the land had presented. I was met with warm, welcoming people who wore their culture and heritage on their sleeves like badges of honour and who proudly told me all about their customs, their scenic landscapes and their eccentric yet native clothes. Blue Kenyan waters and head-turning architecture left me mesmerised, and I know I left a part of my heart in Lamu. This campaign is a celebration, and a declaration of love, of equality, of acceptance, of tolerance – of cultures and heritages without any borders and boundaries! Gabriel Fords, who is as much a vital part of this campaign as I am, is ??? ? ???? ?? ?? ?????????, is absolutely not portrayed to be as one. This entire shoot screams inclusivity. It is about bridging cultures, about educating people about the normalcy of an interracial love. It shows that beauty is not one, but all colours; that love is not one, but all cultures. I’m very careful about who I choose to work with and would never be a part of something problematic or dehumanising. Gabriel Fords- has been given proper credits for his work. I had a great time shooting, and I’m very proud to be part of this campaign! Here’s to thinking beyond the colours of our skins ?? #MushkKaleem #Elan #KhadijahShah

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Earlier in 2018, Sana Safinaz had come under fire for its racist representation of the Masai Mara people. They later issued a clarification and said that their campaign aimed to celebrate the beautiful Masai culture.