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Netflix isn’t paying any amount to star of this massive hit series

News Desk

Sep 08

As the SAG-AFTRA strikes continue to loom across Hollywood, several major stars have spoken up against streaming platforms like Netflix, Amazon and Disney, accusing them of exploiting actors and writers.

Breaking Bad’s Aaron Paul, who played Jessie on the hit show, has spoken at a picket line about not receiving any residuals from Netflix.

Residuals are financial compensation provided to actors and writers who are innvolved in TV shows or movies aired after the release.

Speaking next to co-stars Bryan Cranston and Jesse Plemons, Paul told Entertainment Tonight Canada:

“I don’t get a piece from Netflix on ‘Breaking Bad’ to be totally honest and that’s insane to me, you know what I mean.”

“Shows live forever on these streamers and it goes through waves,” said the three-time Emmy award winner. “And I just saw the other day that ‘Breaking Bad’ was trending on Netflix, and it’s just such common sense, and I think a lot of these streamers, they know they have been getting away with not paying people just fair wage and now it’s time to pony up, and that’s just one of the things we’re fighting for.”

Aaron played the eccentric high schooler who partners with his chemistry teacher Walter White (played by Cranston) to make drugs. The show received critical acclaim and led to a spin-off ‘Better Call Saul’ which centered around the crook lawyer Saul Goodman.

In light of the protests, several actors have come forward to make shocking revelations of how little compensation they received from platforms, even though their shows received massive ratings on streaming platforms.

‘This Is Us’ actor Mandy Moore revealed in July that despite being a lead actor on the hit series, she received only 81 cent checks as residuals from 21st century Fox.

Katie Lowes, who starred in the ABC political drama ‘Scandal’ for several seasons, also revealed she didn’t receive any residuals for her work:

“If you are someone who has been fortunate enough in our positions to do 120-plus episodes of a successful show in previous years — 10, 15, 20 years ago — that re-airing would be the thing that could sustain you on years where I did this smaller project or I wanted to go do a play or you have kids and you have a family to provide for,” Lowes said. “And that’s just not a reality anymore. The entire model has changed.”

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