Worst performances in Pakistani dramas 2024
Pakistani dramas are loved not only here but also across the world. In 2024, many top-rated Pakistani shows received a lot of love internationally. However, not all performances hit the mark. Here are five of the worst performances in Pakistani dramas this year:
Sonya Hussyn in Akhara
Akhara was an innovative Pakistani drama that carved out a niche as a sports thriller. Despite the show's unique appeal, Sonya Hussyn's performance was perceived as a weak link. Many viewers felt she struggled to integrate into the narrative, and her character’s styling did not complement the story’s overall tone. While Sonya is known for her versatility, her performance in Akhara fell short, creating a disconnect with the audience.
Amar Khan in Dil e Nadan
Dil e Nadan lacked purpose and direction, and Amar Khan’s performance did not help. Known for her realistic acting in shows like Belapur Ki Dayan, Amar significantly missed the mark. Her melodramatic antics and overly theatrical expressions muddled what should have been a subtle performance. Her attempt to play a young and naive girl was unconvincing, turning her performance into a full-blown disaster.
Adnan Jaffar in Ishq Murshid
Ishq Murshid started strong but lost its focus after the lead couple’s wedding. Despite the decline in narrative quality, the cast’s performances were generally impressive, except for Adnan Jaffar’s portrayal of a corrupt politician. His performance felt more like a caricature than a believable character, with a fake mustache making it worse. This exaggerated performance was difficult to watch.
Yashmeera Jan in Ghair
Yashmeera Jan, daughter of iconic actors Shabbir Jan and Fareeda Shabbir, plays the villain Shifa in Ghair. Her performance, however, left viewers baffled. Her expressions were out of sync with the scenes, and her wardrobe seemed out of place. Her heavy eastern formal suits clashed with the casual lawn outfits of other characters, making her role seem even less believable.
Ushna Shah in Ghair
Ushna Shah, widely acclaimed for her exceptional performances in Pakistani dramas such as Balaa and Alif Allah Aur Insaan, falls surprisingly short in her portrayal of Wafa in Ghair. Her performance lacks the emotional depth and conviction expected from an actress of her caliber. Weak expressions and a noticeable disconnect from the character’s struggles make it difficult for viewers to empathize with Wafa. The lack of effort in embodying the character is evident, leaving Wafa feeling one-dimensional and unconvincing.